Mythaxis – The Stats

We are proud of our performance as an e-zine:

  • 145 items have been published in Mythaxis Magazine since 2008
  • 17 issues of the magazine
  • 30 different authors
  • [viewed traffic] 4500 unique visitors in 2015
  • 30,000 page views in 2015 (one story per page)
  • over 10,000 page views in 2016 already

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Mythaxis Issue 17

Mythaxis Issue 17 is now available at the Mythaxis website.

One of the items is a comic strip from Liam Baldwin.

Another is a cyberpunk interactive adventure, playable in your browser.

For those who would like indexes of all stories by title and by author, the complete index is in the Mythaxis blog.

 

 

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Anathem by Neal Stephenson

anathemAnathem marks Neal Stephenson’s return to ground-breaking sf, after the rather strange and lengthy Baroque Cycle.

It is again a very large book, and there is again a preoccupation with appropriate language for the setting, which preoccupation, as in the Baroque Cycle, becomes less strictly observed as the book continues.

The basic setting is that, on the planet Arbre (which may be an alternate Earth), philosophers and scientists, rather than monks, are walled up in monastery-like institutions called concents. Religious practices take place in the outside world, not in the concents. Extreme conservatism and ritual characterise life in these institutions. Stephenson engages in considerable discussion of logic, cosmology, mathematics, set theory, and philosophy, which make the start of the book rather slow, and a number of the complex concepts are consigned to Appendices.

The pace speeds up when visitors from another cosmos appear in a spacecraft that looms rather threateningly, and the story sets off in a new direction.

Eventually, parallel worlds become the theme of the book, and provide its (quite convenient) denouement. But the journey to the end of the book is an entertaining mix of mind-bending concepts and well-described action. Above all, the book is crammed full of cool new ideas.

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Neal Stephenson – The Baroque Cycle

baroque

Neal Stephenson is usually categorised as a science fiction author, on the basis of his two early books – Snow Crash and Diamond Age, though the bulk of his work is more philosophy than sf. He wrote The Big U, a sort of lampoon of university life and Zodiac, an eco-warrior novel, before Snow Crash. Subsequent to Diamond Age, he has written, among other fiction and articles, In the Beginning was the Command Line, a treatise on computer Operating Systems, Cryptonomicon, a dramatised and fictionalised history of cryptology, and The Baroque Cycle, a dramatised and fictionalised history of 17th century science. His subsequent work has included sf, a co-authored fantasy and a cyber-thriller, so he does not lack variety.

The Baroque Cycle is a 3000 page supernovel in three volumes: Quicksilver, The Confusion and The System of the World. (Subsequent editions sub-divided the whole oeuvre into more volumes)

In summary, Neal Stephenson writes extremely well. He understands how to deliver a fast-paced narrative. Like Umberto Eco, he does have a habit of delivering big chunks of research. But the story never falters while the lesson is delivered, and the research is never bungled as far as I have been able to determine.

Although I guess each of the books in the Baroque Cycle – Quicksilver, The Confusion and The System of the World could be read as free-standing novels, the trilogy only makes sense as a 3000 page work.

There is so much in the books that I hardly know where to start. Among the fictional characters are Jack, a vagabond; Eliza, a courtesan; Daniel Waterhouse, who seems to be immortal. The real historical figures (whose behaviour is obviously fictionalised to an extent) include Isaac Newton, Leibniz, The Duke of Marlborough, half the crown heads in Europe at the time, many aristocrats, and the vast majority of the pantheon of early scientists.

The Great Fire of London, the formation of the Royal Society, the Jacobite turmoil over the British crown, Alchemy, Slavery, Newcomen’s Steam Engine, the Spanish treasure galleons, the birth of banking and currency, the French court, conditions in the near East, India and Mexico, developments in science and cryptology, the Holland of William of Orange, the Siege of Vienna, sewer design, mining, refining, weapons technology, Olde London. You are spared nothing in the background to this lengthy, often incomprehensible, always fascinating, behemoth of a story. It was not always compelling, but I never felt the urge to ditch it.

Quite frequently, I felt that I did not know what was going on. Usually my curiosity was satisfied in due course. There were periods of directionlessness and inconsequentiality which slowed the whole thing up. There were so many characters that one could lose track. Quicksilver had a handy appendix. The others lacked the reference material.

My chief criticism of the entire work was the language. A very few words and expressions were picked on and rendered in archaic form, occasionally speech was in period character, but the effect was spoiled by near-universal use of modern vernacular, not only in narrative, but in speech. It jarred with me. I longed for consistency.

My chief plaudit is that Neal Stephenson really knows how to write a gripping narrative, and there were several episodes which read beautifully. I particularly enjoyed the numerous battle scenes, and the details of the English penal system.

It is an ambitious masterpiece, only very slightly flawed.

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Issue 15 of Mythaxis is out now

The November 2014 issue of Mythaxis is out now. Eight original stories of fantasy and science fiction. Enjoy.

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Iain Banks – Hydrogen Sonata

Image6The Hydrogen Sonata: Another great piece of science fiction from Iain M Banks. It’s a Culture novel, and many of the participants are Ships (i.e. Artificial intelligences, based in various space vehicles). The biological characters are mostly non-human. The Culture is Banks’ protagonist civilisation, consisting of many races, planets, space habitations and ‘Minds’ – the above-mentioned artificial intelligences.

The plot? Skullduggery and deception accompany the transition of a non-Culture civilisation to a sort of Nirvana state, and The Culture appoints itself policeman to do a spot of peace-keeping.

All of Iain Banks’ fertile imagination is called into action for this cosmic who-done-it cum thriller. If you’re a science fiction fan, don’t miss it. If you’re not, you will find it very hard going, I fear.

I loved it.

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Iain M Banks – Surface Detail

Image5Surface Detail has everything a science fiction fan could want: Galaxy-spanning space travel, space war, artificial intelligences, many races of aliens, The Culture, effective immortality, after-life experiences, telepathy(of a sort), telekinesis (Star Trek style (“beam me up, Scotty”)), spaceships in huge quantity, many of them with amusing names, ship drones, avatars, and that’s only what I can remember right now.

In addition, it has a complex plot: murder, love, hate, thrills, lots of tasty detail, and (for Banks fans) a delicious surprise in the LAST WORD of the book (so don’t skip).

I shall have to read it again, and soon, because I suspect that I missed some of the exquisite detail. Unlike a number of Banks’ books, it doesn’t have too much carnage at the end.

Highly Recommended if you want a bit of a change from Jane Austen.

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